Arts reporter Michael Morain says:
Conductor Joseph Giunta nudged a full range of sound from every section: fluttery whispers from the strings in the opening of the Easter overture; break-your-heart solos from the horn, flute and oboe in the Rach 2; and a rowdy, even vulgar, uproar from the rest of the brass and percussion in the Shostakovich. Pick a human emotion, and it was there.
